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Callie Feyen

A Spent Storm: On Faith and Writing

in Uncategorized on 25/04/23

From the panel I got to be on at church:

I have read tons of books on writing – how to write, why to write – I have an MFA in Creative Writing, I am in constant conversation with others about the craft, but no book has told me more about writing’s call – what it does, how it feels, what it means – than LM Montgomery’s Emily series.

Here’s an example of what I mean:

Towards the end of the first book, Emily is talking  about her writing with her teacher, Mr. Carpenter – a cranky, sort of dark, and extremely passionate man. Emily’s given him several poems to critique and for three pages he lays into them sharply:

  • “”Sunset – Lord, how many poems have been written about a sunset?”
  • “And this – To Life – ‘Life, as a gift I ask no rainbow joy’ – is that sincere? Is it, girl? Stop and think. Do you ask ‘no amount of joy’ of life?
  • “You should study the art of titles, Emily – there’s a fashion in them as in everything else. Your titles are as out of date as the candles of New Moon.”

And then: 

“Ten good lines out of four hundred, Emilly – comparatively good, that is – and all the rest balderdash – balderdash, Emily.

I – suppose so,” said Emily faintly.

Her eyes brimmed with tears – her lips quivered. She could not help it. Pride was hopelessly submerged in the bitterness of her disappointment. She felt exactly like a candle that somebody had blown out. 

“What are you crying for?” demanded Mr. Carpenter.

Emily blinked away the tears and tried to laugh.

“I – I’m sorry – you think it’s no good -” she said.

Mr. Carpenter gave the desk a mighty thump.

“No good! Didn’t I tell you there were ten good lines? Jade, for ten righteous men Sodom had been spared.”

“Do you mean – that – after all -” The candle was being relighted again.

“Of course, I mean. If at thirteen you can write ten good lines, at twenty you’ll write ten times ten – if the gods are kind. Stop messing over months, though – and don’t imagine you’re a genius either, if you have written ten decent lines. I think there’s something trying to speak through you – but you’ll have to make yourself a fit instrument for it. You’ve chosen a jealous goddess. And she never lets her votaries go – not even when she shuts her ears forever to their plea.”

These lines Mr. Carpenter says are precisely what I believe about being called to write:

  1. I believe Something is trying to speak through me.
  2. I believe I must make myself available so that I can be used.
  3. I believe in the jealousy of the call. That is, I believe God’s given me this gift, but it’s my choice to work, to figure it out, to take the plot of my days and turn them into stories. I am the most myself when I write. All of what I am – the broken, scattered pieces; the sharp edges – is laid bare in the loving hands of this Jealous Goddess who promises me nothing except to show me each time I come to the page that I am wonderfully and fearfully made. 

Read the rest over at Project Redux.

At the talk, I passed out a few resources for reading and writing. Feel free to download them (below).

Reading-ResourcesDownload
Writing-ResourcesDownload

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Hi! I’m Callie. I’m a writer and teacher living in Ann Arbor, Michigan. I write Creative Nonfiction, and in my oldest daughter Hadley’s words, I “use my imagination to add a bit of sparkle to the story.” I’m a contributor for Coffee+Crumbs, Off the Page, Makes You Mom, and Relief Journal. My writing has also been featured on Art House America, Tweetspeak Poetry, Good Letters, and Altarwork, and in 2014 I was one of the cast members of the Listen To Your Mother DC show.

I hold an MFA in Creative Writing from Seattle Pacific University, and I am working on my first book that will be published through TS Poetry Press.

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